For your Saturday listening pleasure, a recent performance of the most sublime music ever written for the clarinet. [I am playing and conducting.] Apologies about the less than perfect sound quality – we didn’t have our normal recording set-up available for this concert.
My 2009 performance of Mahler 5 with the WCFSO will air this evening at 8pm EST on Iowa Public Radio [link is an mp3 stream]. We took a unique approach to presenting the piece, mixing multimedia with live music and offering insights from orchestra members into the experience of playing Mahler. The image above is one of several views of the event by WCFSO photographer Noah Henscheid. [You may notice me holding my iPhone in some of the other shots – I was using it to cue slides and video live onstage.]
In the event that you get to this post after the stream ends, a re-embed and download of the first movement is below; please feel free to grab the code from the player and share on your blog as well.
‘Whenever I have crossed the Pampa or have lived in it for a time, my spirit felt itself inundated by changing impressions, now joyful, now melancholy, some full of euphoria and others replete with a profound tranquility, produced by its limitless immensity and by the transformation that the countryside undergoes in the course of a day.’ Alberto Ginastera, on the Argentinian plains that inspired his ballet Estancia.
My good friend Genadi Zagor joined us at the WCFSO a few weeks ago for a scintillating rendition of Gershwin’s Rhapsody in Blue, presented alongside a suite of indelible images created for the occasion by Gary Kelley. Here’s a behind-the-scenes look at our rehearsal and performance, from photographer Noah Henscheid. [View the set on Flickr.]
George Gershwin claimed that he conceived the ‘metropolitan madness’ of Rhapsody in Blue ‘on a train, with its steely rhythms, its rattle-ty bang.’ That same raw rhythmic inspiration was at the heart of our recent period-orchestra rendition at the WCFSO with pianist Genadi Zagor. The image by Gary Kelley is one of a series commissioned for this concert and shown in a narrative video piece alongside the performance.