orchestra21

The blog of conductor Jason Weinberger

Submitted by Anonymous: What was the encore piece that Tim A played last night?

Timo Andres followed up his re-invention of Mozart K537 on Saturday with an arrangement of Mahler’s Des Antonius von Padua Fischpredigt from Des Knaben Wunderhorn. I thought it was a fabulous choice and, like everything Timo does, beautifully executed.

Anyone who has been following the WCFSO for the past several years may recall experiencing some of the same music on our stage [or on Iowa Public TV] in the alternate version Mahler conceived for the third movement of his Second Symphony.

tags   mahler andres 120204
post shorturl reblog
Loading ...

In 1851 Robert Schumann completed an extensive revision of his D minor symphony for performance and publication. Despite the composer’s own well-considered adjustments his first version of Op 120 from ten years earlier was preferred by Johannes Brahms, who subsequently published it over Clara Schumann’s objections. Conductors and composers, finding justification in these early aesthetic disagreements surrounding the symphony’s orchestration, have since made it common practice to re-revise Schumann’s own final version of the piece – most notably Gustav Mahler, whose retouching of a famous passage from the symphony for his own performances is above.

Tonight at the WCFSO we’ll leave the revisions and recompositions to Timo Andres and instead try to communicate the soundscape that Schumann himself intended for his Fourth Symphony.

Need a Trauermarsch for your next short film? You’re in luck – my reading of the first movement of Mahler 5 with the WCFSO is now available as a free download from the new Vimeo Music Store [along with other recent performances of music by Mozart, Debussy and Chabrier]. All tracks are Creative Commons-licensed through the Free Music Archive and are ready for download and auteur usage.

tags   mahler internets
post shorturl reblog
Loading ...

The first page of Gustav Mahler’s autograph manuscript of the Adagietto from his Symphony no. 5 [click through for hi-res view]

A while back I posted a facsimile of this and the rest of the movement – now the manuscript of the entire symphony is indexed at the new Library of Congress Musical Treasures Consortium.  The LOC catalogue includes documents from Harvard, Juilliard, and the British, New York Public and Morgan Libraries [the latter is home to the Mahler manuscript posted above]. Other highlights of the Musical Treasures index include significant collections of primary source material related to Brahms, Debussy and Barber.

[Too bad several of the participating archives employ clumsy flash-based viewers on their respective websites.]

The first page of Gustav Mahler’s autograph manuscript of the Adagietto from his Symphony no. 5 [click through for hi-res view]

A while back I posted a facsimile of this and the rest of the movement – now the manuscript of the entire symphony is indexed at the new Library of Congress Musical Treasures Consortium. The LOC catalogue includes documents from Harvard, Juilliard, and the British, New York Public and Morgan Libraries [the latter is home to the Mahler manuscript posted above]. Other highlights of the Musical Treasures index include significant collections of primary source material related to Brahms, Debussy and Barber.

[Too bad several of the participating archives employ clumsy flash-based viewers on their respective websites.]

tags   mahler scores

Mahler grooves, in full color!

So apparently the New York Philharmonic is on Tumblr. Nice – I can finally upgrade this scan [from the actual paper edition of the New York Times] of Leonard Bernstein’s title page enhancement to his Mahler 6 score.

[via nyphil]

Gustav Mahler, born 150 years ago today. During his lifetime Mahler was more widely known as conductor than as composer, and that’s how his contemporary Emil Orlik captured him in this 1902 sketch.

Click for much more Mahler.

Gustav Mahler, born 150 years ago today. During his lifetime Mahler was more widely known as conductor than as composer, and that’s how his contemporary Emil Orlik captured him in this 1902 sketch.

Click for much more Mahler.

tags   mahler featured