orchestra21

The blog of conductor Jason Weinberger

Set aside a few moments this weekend to drift off into a Sea of Pianos.

[via The Kid Should See This]

Needless to say, I’d stay here.

[via rachelfairbanks]

Needless to say, I’d stay here.

[via rachelfairbanks]

I was going to suggest that conductors might benefit from something like this, but perhaps we’re already good enough at generating our own BS?

[via @timoandres]

Alexander Chen’s Baroque.me uses the mathematics of string length and pitch rather than traditional notation to visualize the Prelude from Bach’s G major cello suite. The result is a changeable graphic instrument, ‘an impossible harp [whose] strings morph to the needed lengths.’ Read more about Chen’s unique interdisciplinary work, which touches on a variety issues related to musical structure, the visual-aural relationship and the act of performance.

The video posted here shows one possible rendering of the piece; I’d suggest following the link above and interacting with the HTML5 site itself.

[via @alexrossmusic]