‘What we could not say openly, we expressed in music … forged from the very white heat of our sorrows.’
A timely follow-up to my last post about the WCFSO celebration of Black History Month earlier this year.
Back in February I led the WCFSO in one of the most unforgettable evenings of art and music I’ve ever been a part of. Tonight that jazz- and blues-inspired concert, featuring music by William Grant Still, Duke Ellington, George Gershwin and J Dilla, will stream in its entirety on Iowa Public Radio [8pm EST, link is an mp3 stream]. In addition to featuring some unique programming, our performance continued a ground-breaking partnership with illustrator Gary Kelley [whose work for the show is pictured below and at my Flickr].
More photos, info about Dilla’s symphonic debut, and a download of our performance of the 1920s theater-orchestra version of Rhapsody in Blue are here.
Last month I participated in a unique presentation of Suite for Ma Dukes, Miguel-Agtwood Ferguson’s amazing orchestral reinventions of music by J Dilla. Today the piece’s original 2009 performance is released on DVD along with two other concerts featuring Brazilian legend Arthur Verocai and Ethiopian jazz great Mulatu Astatke. The Timeless shows were organized and filmed by LA-based Mochilla, with the goal of building bridges between influential composer/arrangers and the contemporary musicians who employ and build on their work.
Timeless posters by Teebs
The crew at Mochilla recently sent along a set of Timeless promos and I’ve been totally immersed in them since. A few initial responses, particularly to Miguel’s peerless arrangements of J Dilla:
- Very few orchestral arrangements are as good as these, and I perform lots of orchestral arrangements.
- I really appreciate the way these super-skilled orchestral musicians are so engaged with [and visibly into] what they’re playing.
- Suite for Ma Dukes is further proof of the importance of Dilla’s contribution to hip hop and contemporary music in general.
Have a listen to Jealousy as performed by the Ma Dukes orchestra with Karriem Riggins on set: [mp3]
So that you can get a better sense for Miguel’s achievement in the transformation of musical material, here is Dilla’s original from Fantastic Vol. 2: [mp3]
To see some of the video check out Mochilla’s collection of previews from Timeless. And do not sleep on picking up this unique and outstanding box set – the current release is limited to just 4000 numbered copies.
Submitted by Anonymous:
Funny you should ask, since our most recent event was the second in a series of amazing collaborations that began with our presentation of the Planets two seasons ago. These concerts have been insanely well-received and, based on the feedback, we are looking into the possibility of bringing back the Planets production for an encore live performance with an accompanying video release.
So, the programmer in me wants to know – would you come to a concert like this?
My good friend Genadi Zagor joined us at the WCFSO a few weeks ago for a scintillating rendition of Gershwin’s Rhapsody in Blue, presented alongside a suite of indelible images created for the occasion by Gary Kelley. Here’s a behind-the-scenes look at our rehearsal and performance, from photographer Noah Henscheid. [View the set on Flickr.]
The A-Train
Gary Kelley, 2009
George Gershwin claimed that he conceived the ‘metropolitan madness’ of Rhapsody in Blue ‘on a train, with its steely rhythms, its rattle-ty bang.’ That same raw rhythmic inspiration was at the heart of our recent period-orchestra rendition at the WCFSO with pianist Genadi Zagor. The image by Gary Kelley is one of a series commissioned for this concert and shown in a narrative video piece alongside the performance.
Gershwin – Rhapsody in Blue with Genadi Zagor
WCFSO - February 2010
Click the arrow on the right side of the audio player to download.
A celebration of African-American music, featuring works by William Grant Still, Duke Ellington and J Dilla and art by Gary Kelley. Read a concert preview by Melody Parker of the Waterloo-Cedar Falls Courier.
African Dancer
Gary Kelley, 2009
From Michael Morain’s Des Moines Register preview of tomorrow’s WCFSO concert:
Weinberger pointed out that the hip-hop tradition of borrowing, or sampling, ideas from other artists isn’t so different from what happened in the era of Beethoven or Brahms, and that’s what he finds so interesting.
‘I’m totally fascinated with influence in the artistic process, with the concept of creating sound from other sounds.’
