Connecting over Dilla
The following is an excerpt from my interview with Joy Yoon at The Sounds of VTech about tomorrow night’s WCFSO concert. Follow the link or click the photo below for the full article and a cool slideshow of us in rehearsal.
People are listening, and those who can try to the best of their ability to find a way to share. This is what this show represents to me, sharing something new that would have been overlooked. I emailed Jason Weinberger to find out how he first came to discover the music of Dilla.
I’ve been listening to Dilla since the beginning, before I even knew who he really was. I think I first became more directly aware of his story and persona through his work in the 90s with A Tribe Called Quest, De La Soul and Pharcyde, and from there my interest just grew with each new project. If I had to pick my absolute favorite Dilla records I’d probably go with Donuts and Jaylib, though I could easily spend days on end listening to his beats from the Slum Village Fantastic albums and Common’s Like Water for Chocolate. J.Rocc’s Thank You Jay Dee mixes are always close at hand too.
When did you first discover Suite for Ma Dukes?
I heard Suite for Ma Dukes when it first came out a year ago, and my first thought was that I needed to find a way to perform Miguel’s stunning reinventions of Dilla’s music. I’m always looking for ways to open up the traditional orchestra experience to new things anyway, so this seemed very natural. I looked around for Miguel on the web, found him on Facebook, and sent him a message to see if we could talk about getting these pieces in front of one of the orchestras with which I work. A few months later we met up in LA (where I’m from and where my family still lives) and connected over Dilla, Flying Lotus and Lutoslawski. The rest is history.
And about this upcoming Saturday…
I think one of the most special things about this weekend’s performance at the WCFSO - aside from experiencing the sheer beauty of Miguel’s orchestrations - will be the opportunity to appreciate Dilla’s achievements alongside those of other prominent African American composers who preceded him. To me it seems totally organic to hear Dilla alongside Duke Ellington and William Grant Still, and I think it’s a great way for audiences who may not be familiar with his work to get to know him.
